RESEARCH BASE
Search 3,721 documents across 34 fields — every claim tier-rated by evidence
3,633 are the core, quality-scored corpus (34 lettered sections — see How We Work); the remaining 88 are cross-corpus synthesis documents (68 InterDocs, 12 Connections, 8 Theories) also indexed here.
458 results for "dN/dS ratio" — page 7 of 23
F_1_10 — Kennewick Man and the Pre-Clovis Debate
The question of when and how humans first reached the Americas has been one of archaeology's most contentious debates for over a century. For decades, the Clovis First model dominated: the earliest Americans were big-gam
F_1_17 — Austronesian Expansion: From Taiwan to Madagascar and Easter Island
The Austronesian expansion is the largest maritime diaspora in human history, spanning from Taiwan (c. 3500–3000 BCE) across the Pacific and Indian Oceans to ultimately reach Madagascar (c. 500–800 CE) in the west and Ra
F_2_17 — Trans-Saharan Rock Art Corridors: Mobility Evidence in Stone
The Sahara Desert — today the world's largest hot desert (~9.2 million km²) and one of Earth's most formidable barriers to human movement — was, during recurring humid periods (the "Green Sahara" or "African Humid Period
F_4_20 — Yamnaya Expansion: Steppe Herders and Indo-European Spread
The Yamnaya culture (c. 3300–2600 BCE) — a semi-nomadic pastoral society of the Pontic-Caspian steppe (modern Ukraine, southern Russia, and western Kazakhstan) — has emerged from ancient DNA studies as one of the most co
V_3_20 — Fibonacci Sequences in Nature
The Fibonacci sequence (1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, ...), in which each number is the sum of the two preceding ones, was introduced to European mathematics by Leonardo of Pisa (known as Fibonacci) in his 1
M_4_03 — Archaeological Dating Disputes and Controversies
Archaeological dating methods — the techniques used to determine the age of artifacts, structures, and deposits — are the backbone of all claims about the human past. Radiocarbon dating (carbon-14 analysis, developed by
M_4_16 — Sundaland & Southeast Asian Lost Continent Hypothesis
Sundaland is the geological term for the exposed continental shelf of Southeast Asia that connected the present-day islands of Borneo, Java, Sumatra, and the Malay Peninsula into a single landmass during the Last Glacial
A_4_16 — Tibetan Book of the Dead (Bardo Thodol) and Bon Tradition
The Bardo Thodol (བར་དོ་ཐོས་གྲོལ, "Liberation Through Hearing in the Intermediate State"), popularly known as the Tibetan Book of the Dead, is a collection of funerary texts attributed to the 8th-century Indian master Pa
A_3_05 — Ancient Egyptian Medical and Scientific Papyri
Ancient Egyptian medical and scientific papyri constitute the earliest known systematic attempts at empirical investigation of the human body, disease, and the natural world. The Edwin Smith Papyrus (~1600 BCE, copied fr
A_3_01 — Kebra Nagast: The Glory of Kings (Ethiopian)
The Kebra Nagast ("Glory of Kings") is a 14th-century CE Ethiopian text — written in Ge'ez, the classical Ethiopian liturgical language — that serves as the foundation myth of the Solomonic dynasty of Ethiopia and the sp
A_3_06 — Orphic Hymns, Tablets, and the Orphic Tradition
The Orphic tradition represents one of the most influential yet enigmatic religious movements of the ancient Greek world, centered on the mythical poet-musician Orpheus, who was believed to have descended to the underwor
U_1_26 — Solfeggio Frequencies
The "Solfeggio frequencies" are a set of specific musical tones — most commonly listed as 174, 285, 396, 417, 528, 639, 741, 852, and 963 Hz — claimed by proponents to possess extraordinary healing, spiritual, and transf
U_5_09 — Video Games as Art and Culture
Video games — interactive digital experiences combining computation, visual art, sound design, narrative, and player agency — have evolved from simple electronic experiments to arguably the dominant cultural medium of th
U_5_11 — Censorship in Art: Suppression of Creative Expression Through History
Censorship of art — the suppression, alteration, or prohibition of creative works by political, religious, or social authorities — is as old as civilization itself and has taken forms from the destruction of physical obj
U_5_15 — Public Monuments and Memorials: Memory, Power, and Iconoclasm
Public monuments and memorials are among the most politically charged forms of art — objects placed in shared civic space to shape collective memory, assert values, and project power. From the ancient world's triumphal a
U_5_08 — Cultural Heritage Preservation
Cultural heritage preservation — the protection, conservation, documentation, and transmission of tangible and intangible cultural expressions across generations — is a global enterprise involving international law, muse
U_2_08 — Digital Art and Generative Art
Digital art — visual art created with or substantially mediated by digital technology — and generative art — art produced in whole or part by autonomous systems (algorithms, rules, or AI) — represent a fundamental expans
U_2_07 — Mosaic and Tile Art
Mosaic — images or patterns created from small pieces (tesserae) of stone, glass, ceramic, or other materials set in mortar — is one of the most durable art forms, with surviving examples spanning 4,000+ years. Origins:
U_4_13 — Mandala: Sacred Circle Art, Meditation, and Cosmic Diagram
A mandala (Sanskrit: मण्डल, maṇḍala, "circle," "essence," "completion") is a geometric, symmetrical diagram — typically circular or square-within-circle — used in Hindu, Buddhist, Jain, and other Asian religious traditio
X_2_15 — Regenerative Medicine and Stem Cell Therapy
Regenerative medicine — defined as "the process of replacing, engineering, or regenerating human or animal cells, tissues, or organs to restore or establish normal function" — is among the most rapidly advancing frontier
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