RESEARCH BASE
Search 3,721 documents across 34 fields — every claim tier-rated by evidence
3,633 are the core, quality-scored corpus (34 lettered sections — see How We Work); the remaining 88 are cross-corpus synthesis documents (68 InterDocs, 12 Connections, 8 Theories) also indexed here.
3,443 results for "speaking in tongues" — page 52 of 173
A_2_17 — Chaldean Oracles: Theurgic Fire and the Divine Intellect
The Chaldean Oracles (Logia tōn Chaldaiōn) are a collection of hexameter verses composed in the late 2nd century CE — traditionally attributed to Julian the Chaldean and/or his son Julian the Theurgist during the reign o
A_4_13 — Ramayana — India's Epic of Dharma, Exile, and Return
The Ramayana (रामायण, "Rama's Journey") is one of the two great Sanskrit epics of India, attributed to the poet Valmiki and composed in its earliest form during the 5th–4th century BCE, with later expansions through the
A_4_06 — Quranic Cosmology, Jinn, and Islamic Angelology
The Quran — Islam's primary sacred text (610–632 CE) — presents a rich cosmological framework that includes seven heavens and seven earths, a Throne of God (al-Arsh) upon the cosmic waters, a fully populated invisible re
A_4_10 — I Ching (Yijing) — The Classic of Changes
The I Ching (易經, Yìjīng, "Classic of Changes") is one of the oldest continuously used texts in human history, originating from Shang dynasty oracle bone divination (~1200 BCE) and formalized during the Western Zhou perio
A_4_01 — The Mahabharata: India's Epic of Cosmic War
The Mahabharata is the longest epic poem ever composed — at ~100,000 verses (1.8 million words), it is roughly 10 times the combined length of the Iliad and the Odyssey. Attributed to the sage Vyasa ("the compiler"), it
A_4_14 — Shan Hai Jing (Classic of Mountains and Seas)
The Shan Hai Jing (山海經, "Classic of Mountains and Seas") is one of the most extraordinary texts of the ancient Chinese literary corpus — an encyclopedic compendium of mythological geography, zoology, mineralogy, and cosm
A_3_01 — Kebra Nagast: The Glory of Kings (Ethiopian)
The Kebra Nagast ("Glory of Kings") is a 14th-century CE Ethiopian text — written in Ge'ez, the classical Ethiopian liturgical language — that serves as the foundation myth of the Solomonic dynasty of Ethiopia and the sp
A_3_10 — Egyptian Coffin Texts: Middle Kingdom Afterlife Spells
The Egyptian Coffin Texts are a corpus of approximately 1,185 funerary spells inscribed primarily on the interior surfaces of rectangular wooden coffins during Egypt's Middle Kingdom (c. 2055–1650 BCE, Dynasties 11–13).
U_1_05 — Musical Instruments: Archaeology & Evolution
Musical instruments are among humanity's oldest manufactured artifacts, with bone flutes from the Swabian Jura (southern Germany) dating to ~40,000 BP — contemporary with the earliest figurative art and suggesting that m
U_1_12 — Hip-Hop Culture: MCing, DJing, Breaking, and Graffiti as Art Form
Hip-hop — originating in the South Bronx, New York City, in the early-to-mid-1970s — is among the most culturally consequential artistic movements of the 20th century, growing from block-party culture in economically dev
U_1_03 — Music, Acoustics, and Consciousness in Ancient Traditions
The relationship between music, sound, and altered states of consciousness has been recognized in virtually every known culture — from Paleolithic bone flutes (~40,000 BCE, Hohle Fels, Germany) to Pythagorean harmonic th
U_1_20 — Electronic & Experimental Music: Synthesis, Sampling & Algorithmic Composition
Electronic and experimental music — from Pierre Schaeffer's musique concrète (1948) to contemporary algorithmic composition — represents one of the most transformative developments in the history of sound, severing the a
U_1_04 — Origins of Theater & Drama — Ritual to Stage
Theater and drama emerged independently in multiple civilizations from ritual performance traditions — the formal separation of performers and audience, the creation of fictional narrative embodied by actors, and the use
U_3_09 — Metalwork and Blacksmithing Traditions
Metalworking — the shaping of metals by heating, hammering, casting, and alloying — is one of humanity's most transformative technological achievements and a major domain of artistic expression. Origins: native copper wa
U_3_08 — Glassmaking and Stained Glass
Glass — an amorphous solid formed by rapidly cooling molten silica (SiO₂) with fluxes (soda/potash to lower melting temperature) and stabilizers (lime to prevent water solubility) — has been manufactured for ~5,000 years
U_3_18 — Ancient Metallurgy and Material Innovation
Ancient metallurgy — the extraction, alloying, and shaping of metals from raw ores — was among the most transformative technological achievements of human civilization, enabling new tools, weapons, agricultural implement
U_3_07 — Paper and Papermaking Traditions
Paper — a matted sheet of plant fibers — is one of civilization's most transformative inventions, enabling the preservation and dissemination of knowledge at scales impossible with earlier writing surfaces. Pre-paper wri
U_3_06 — Woodworking and Carpentry Traditions
Woodworking — the shaping of wood for functional and aesthetic purposes — is among the oldest human technologies, predating metalworking by millennia. Archaeological evidence: the Schöningen spears (Germany, ~300,000 yea
U_3_04 — Fermentation, Brewing & Sacred Beverages
Fermentation — the biochemical conversion of sugars to alcohol and carbon dioxide by yeast and bacteria — is among humanity's oldest biotechnologies, with evidence of intentional fermented beverages dating to the Jiahu r
U_3_10 — Printmaking and the History of the Book
Printmaking — the creation of images or text by transferring ink from a prepared surface to paper or other substrate — and the history of the book are intertwined stories of how humans multiplied information. Relief prin
BROWSE BY SECTION — 3,721 documents across 34 fields