RESEARCH BASE

Search 3,721 documents across 34 fields — every claim tier-rated by evidence

3,721 Documents 34 Sections 43,625 Citations 34,852 Keywords Indexed 4 Evidence Tiers

3,633 are the core, quality-scored corpus (34 lettered sections — see How We Work); the remaining 88 are cross-corpus synthesis documents (68 InterDocs, 12 Connections, 8 Theories) also indexed here.

3,022 results for "God or Nature" — page 5 of 152

A_1_10 Verified Foundations

A_1_10 — Marduk — Supreme Deity of Babylon and Dragon Slayer

Marduk (Sumerian: dAMAR.UTU, "Sun Calf of the Storm"; Akkadian: Marduk) is the patron deity of Babylon and, from the late 2nd millennium BCE onward, the supreme god of the Babylonian pantheon. Originally a minor city-god

Marduk Bel lord Babylon Esagila patron deity
A_1_06 Verified Foundations

A_1_06 — Ugaritic Literature and the Baal Cycle

This document examines Ugaritic Literature and the Baal Cycle, a topic within the Foundations research area. Key areas of investigation include Ras Shamra — Accidental Discovery, The City of Ugarit, The Library and Archi

Ugarit Ras Shamra Baal Cycle El Elohim Athirat
A_2_07 Verified Foundations

A_2_07 — 2 Enoch (Slavonic) and 3 Enoch (Hebrew Apocalypse)

2 Enoch (the "Slavonic Apocalypse of Enoch" or "Book of the Secrets of Enoch") and 3 Enoch (the "Hebrew Apocalypse of Enoch" or "Sefer Hekhalot") are two distinct pseudepigraphical texts that extend the Enochic tradition

2 Enoch Slavonic Enoch Book of the Secrets of Enoch 3 Enoch Sefer Hekhalot Hebrew Apocalypse of Enoch
A_4_26 Verified Foundations

A_4_26 — Aztec Codices: Borgia Group and Mesoamerican Ritual Manuscripts

The Aztec codices — particularly the Borgia Group — are a set of pre-Columbian and early colonial-period painted manuscripts from central Mexico, produced on deerskin or bark paper (amatl) in screenfold format. The Borgi

Aztec codices Borgia Group Codex Borgia Codex Fejérváry-Mayer tonalpohualli ritual calendar
A_4_31 Credible Foundations

A_4_31 — Amazonian Indigenous Cosmologies: Tupi, Guarani & Their World

The Tupi-Guarani language family encompasses hundreds of indigenous peoples across a vast territory stretching from the Amazon Basin through eastern Brazil to the Río de la Plata region of Paraguay, Argentina, and Urugua

Tupi Guarani Amazonian cosmology Land Without Evil shamanism
A_4_23 Verified Foundations

A_4_23 — Bundahishn: Zoroastrian Creation and Cosmic Battle

The Bundahishn (Bundahišn, "Primal Creation") is the most important Zoroastrian cosmogonical text, composed in Middle Persian (Pahlavi) during the 9th century CE but preserving traditions that are centuries or millennia

Bundahishn Zoroastrian cosmogony Ahura Mazda Angra Mainyu Ahriman creation narrative
A_4_03 Verified Foundations

A_4_03 — Popol Vuh: The Maya Book of Creation

The Popol Vuh ("Book of the Community" or "Book of Counsel") is the most important surviving mythological and historical text of the ancient Americas. A K'iche' Maya creation narrative, it was written down in the Latin a

Popol Vuh Maya K'iche' Quiché creation myth Hero Twins
A_4_17 Verified Foundations

A_4_17 — Aboriginal Australian Dreaming Narratives

The Dreaming (known by various language-specific names — Jukurrpa in Warlpiri, Tjukurpa in Pitjantjatjara/Yankunytjatjara, Wongar in Yolngu) is the central cosmological, legal, and ontological framework of Aboriginal Aus

Dreaming Dreamtime Jukurrpa Tjukurpa Aboriginal Australian songlines
A_4_36 Credible Foundations

A_4_36 — Hopi Prophecy Tablets & Oral Traditions

The Hopi (Hopituh Shi-nu-mu — "The Peaceful People") of northeastern Arizona possess one of the most elaborately structured prophetic cosmological systems among indigenous North American cultures — a system that encompas

Hopi prophecy Koyaanisqatsi Fourth World Blue Star Kachina Sotuknang
A_4_38 Credible Foundations

A_4_38 — Navajo & Apache Creation Stories

The Navajo (Diné) and Apache (Ndé) peoples of the American Southwest share a common Athabaskan (Na-Dené) linguistic and cultural heritage that sets them apart from their Puebloan neighbors (Hopi, Zuñi, Pueblo) while also

Navajo Diné Apache Ndé creation emergence
A_4_27 Verified Foundations

A_4_27 — Korean Samguk Yusa: Myths, Miracles, and the Foundations of Korean Identity

The Samguk Yusa (삼국유사, "Memorabilia of the Three Kingdoms") is a collection of legends, folktales, Buddhist miracle stories, and historical accounts relating to the Three Kingdoms of Korea (Goguryeo, Baekje, and Silla) a

Samguk Yusa Iryeon Tangun Korean mythology Three Kingdoms Gojoseon
A_3_14 Verified Foundations

A_3_14 — West African Oral Traditions

West African oral traditions constitute one of the world's richest and most extensively documented systems of non-written knowledge transmission. The griot (or djeli in Mande languages) tradition of the Manding, Wolof, F

griot oral-history Sundiata Mande oral-literature West-Africa
A_3_12 Verified Foundations

A_3_12 — Epic of Sundiata: Mandinka Foundation Myth and West African Oral Epic

The Epic of Sundiata (Sunjata, Soundjata, Son-Jara) is the foundational oral epic of the Mandinka (Manding) peoples of West Africa, narrating the life of Sundiata Keita (c. 1217–1255 CE), the historical founder of the Ma

Sundiata Keita Epic of Sundiata Sunjata Mali Empire Mandinka Manding
U_1_23 Credible Art, Music & Culture

U_1_23 — Aboriginal Songlines

Songlines (also called dreaming tracks, song cycles, or *yiri in some Aboriginal languages) are an ancient system of oral navigation, cultural law, and cosmological knowledge used by Aboriginal Australian peoples — repre

songlines Aboriginal Australia dreaming tracks oral navigation indigenous knowledge Bruce Chatwin
U_1_14 Credible Art, Music & Culture

U_1_14 — World Dance Traditions: Ballet, Bharatanatyam, Flamenco, and Hula

Dance — the oldest art form, predating language, visual art, and music in some theoretical models — is the organization of human movement in time and space for expressive, ritual, social, or aesthetic purposes. Every kno

dance ballet Bharatanatyam flamenco hula folk dance
U_3_09 Verified Art, Music & Culture

U_3_09 — Metalwork and Blacksmithing Traditions

Metalworking — the shaping of metals by heating, hammering, casting, and alloying — is one of humanity's most transformative technological achievements and a major domain of artistic expression. Origins: native copper wa

metalwork blacksmithing forging wrought iron bronze casting goldsmithing
U_3_06 Verified Art, Music & Culture

U_3_06 — Woodworking and Carpentry Traditions

Woodworking — the shaping of wood for functional and aesthetic purposes — is among the oldest human technologies, predating metalworking by millennia. Archaeological evidence: the Schöningen spears (Germany, ~300,000 yea

woodworking carpentry joinery timber framing Japanese joinery shipbuilding
U_3_13 Credible Art, Music & Culture

U_3_13 — Art Restoration and Conservation: Science Meets Aesthetics

Art restoration and conservation — the practice of preserving, stabilizing, and (sometimes controversially) restoring works of art — sits at the intersection of science, aesthetics, ethics, and cultural politics. Every a

art restoration conservation Sistine Chapel cleaning overpainting varnish removal
U_3_05 Verified Art, Music & Culture

U_3_05 — Fashion and Costume History

Fashion — from Latin factio (making, doing) — encompasses clothing, accessories, and bodily presentation as systems of social communication, aesthetic expression, and cultural identity. Archaeological evidence: the oldes

fashion costume history clothing dress haute couture fashion industry
U_3_10 Verified Art, Music & Culture

U_3_10 — Printmaking and the History of the Book

Printmaking — the creation of images or text by transferring ink from a prepared surface to paper or other substrate — and the history of the book are intertwined stories of how humans multiplied information. Relief prin

printmaking woodcut engraving etching lithography book history