RESEARCH BASE
Search 3,721 documents across 34 fields — every claim tier-rated by evidence
3,633 are the core, quality-scored corpus (34 lettered sections — see How We Work); the remaining 88 are cross-corpus synthesis documents (68 InterDocs, 12 Connections, 8 Theories) also indexed here.
2,324 results for "Type Ia supernovae" — page 49 of 117
A_4_09 — Avestan Texts — Gathas, Vendidad, and Yasna
The Avesta is the primary scripture of Zoroastrianism, the religion founded by the prophet Zarathushtra (Greek: Zoroaster) in ancient Iran. The surviving Avesta — a fraction of a much larger corpus reportedly destroyed d
A_4_14 — Shan Hai Jing (Classic of Mountains and Seas)
The Shan Hai Jing (山海經, "Classic of Mountains and Seas") is one of the most extraordinary texts of the ancient Chinese literary corpus — an encyclopedic compendium of mythological geography, zoology, mineralogy, and cosm
A_3_14 — West African Oral Traditions
West African oral traditions constitute one of the world's richest and most extensively documented systems of non-written knowledge transmission. The griot (or djeli in Mande languages) tradition of the Manding, Wolof, F
A_3_07 — Kalevala and Finnish-Baltic Mythology
The Kalevala is the Finnish national epic, compiled from oral folk poetry (runo songs) by physician-scholar Elias Lönnrot and first published in 1835 (32 poems) with an expanded edition of 50 poems in 1849. Lönnrot trave
A_3_04 — Hesiod's Theogony and Works and Days
Hesiod (~700 BCE) is, alongside Homer, one of the two foundational poets of Greek literature. His Theogony ("Birth of the Gods") presents the first systematic Greek cosmogony — from primordial Chaos through the births of
A_3_11 — Homeric Hymns: Divine Preludes and the Gods of Olympus
The Homeric Hymns are a collection of 33 hexameter poems addressed to individual Greek deities, composed between approximately 750 and 500 BCE and attributed in antiquity to Homer — though they are the work of multiple a
A_3_19 — Basque Mythology & Creation Traditions
Basque mythology represents one of Europe's oldest surviving pre-Indo-European belief systems, preserved through the oral traditions of the Basque people (self-named Euskaldunak) of the western Pyrenees (the Basque Count
A_3_20 — Dogon Cosmological Knowledge
The Dogon are a West African people numbering approximately 800,000, living primarily on the Bandiagara Escarpment and surrounding plateau in Mali. Their remarkably detailed cosmological and astronomical knowledge became
A_3_18 — Etruscan Sacred Texts: The Liber Linteus and Ritual Tradition
The Etruscans (self-named Rasenna/Rasna) were the dominant civilization of pre-Roman Italy (c. 900–100 BCE), controlling much of central Italy from their homeland in Etruria (modern Tuscany, Umbria, and northern Lazio).
A_3_10 — Egyptian Coffin Texts: Middle Kingdom Afterlife Spells
The Egyptian Coffin Texts are a corpus of approximately 1,185 funerary spells inscribed primarily on the interior surfaces of rectangular wooden coffins during Egypt's Middle Kingdom (c. 2055–1650 BCE, Dynasties 11–13).
A_3_16 — Renaissance Esotericism: Hermeticism, Ficino & the Occult Revival
The Italian Renaissance witnessed a dramatic revival of Hermetic, Neoplatonic, and Kabbalistic thought that fundamentally shaped Western intellectual history. In 1463, Cosimo de' Medici commissioned Marsilio Ficino to tr
A_3_06 — Orphic Hymns, Tablets, and the Orphic Tradition
The Orphic tradition represents one of the most influential yet enigmatic religious movements of the ancient Greek world, centered on the mythical poet-musician Orpheus, who was believed to have descended to the underwor
U_1_23 — Aboriginal Songlines
Songlines (also called dreaming tracks, song cycles, or *yiri in some Aboriginal languages) are an ancient system of oral navigation, cultural law, and cosmological knowledge used by Aboriginal Australian peoples — repre
U_1_16 — Gamelan: Indonesian Bronze Orchestra Tradition
Gamelan — from the Javanese word gamel ("to hammer") — is the collective term for the bronze percussion orchestra traditions of Java, Bali, and neighboring Indonesian islands, representing one of the world's most acousti
U_1_02 — Sacred Music — Chant, Raga, and Acoustic Theology
Sacred music — sound deliberately structured for ritual, worship, or spiritual transformation — appears in every documented human culture. From the elaborately rule-governed Quranic recitation (tajwid) to the microtonal
U_1_05 — Musical Instruments: Archaeology & Evolution
Musical instruments are among humanity's oldest manufactured artifacts, with bone flutes from the Swabian Jura (southern Germany) dating to ~40,000 BP — contemporary with the earliest figurative art and suggesting that m
U_1_12 — Hip-Hop Culture: MCing, DJing, Breaking, and Graffiti as Art Form
Hip-hop — originating in the South Bronx, New York City, in the early-to-mid-1970s — is among the most culturally consequential artistic movements of the 20th century, growing from block-party culture in economically dev
U_1_19 — Neuroscience of Music
The neuroscience of music investigates how the human brain perceives, processes, produces, and responds emotionally to music — revealing that music engages a remarkably distributed network of brain regions spanning audit
U_1_24 — Overtone & Throat Singing
Overtone singing (also called throat singing or harmonic singing) is a vocal technique in which a single singer simultaneously produces two or more distinct pitches by manipulating the resonant frequencies (formants) of
U_1_11 — Opera: Musical Theatre, Spectacle, and National Identity
Opera — dramatic works in which the text is entirely or mostly sung to orchestral accompaniment — is one of Western civilization's most ambitious and complex art forms, integrating music, poetry, drama, visual spectacle,
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