RESEARCH BASE
Search 3,721 documents across 34 fields — every claim tier-rated by evidence
3,633 are the core, quality-scored corpus (34 lettered sections — see How We Work); the remaining 88 are cross-corpus synthesis documents (68 InterDocs, 12 Connections, 8 Theories) also indexed here.
1,548 results for "APG IV" — page 27 of 78
A_4_30 — Southeast Asian Cosmology: Thai, Khmer, Javanese, and Austronesian Creation Narratives
Southeast Asian cosmologies constitute a complex layering of indigenous Austronesian beliefs with Indic (Hindu-Buddhist), Chinese, and Islamic religious frameworks adopted and transformed over two millennia. Pre-Indianiz
A_4_04 — The Kojiki: Japan's Record of Ancient Matters
The Kojiki ("Record of Ancient Matters"), completed in 712 CE, is the oldest surviving literary work in Japan and the primary source for Shinto mythology and the divine origin of the Japanese imperial line. Compiled by Ō
A_4_15 — Guru Granth Sahib as Primary Sacred Text
The Guru Granth Sahib (ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ) is the central sacred scripture and living spiritual authority ("eternal Guru") of Sikhism, compiled by the fifth Guru, Arjan Dev, in 1604 CE (the Adi Granth) and finalized by the
A_4_25 — Jain Agamas: Canonical Scriptures of Non-Violence and Asceticism
The Jain Agamas (Āgama, "tradition/scripture") are the canonical scriptures of Jainism, one of the world's oldest continuously practiced religions. The teachings are attributed to Mahāvīra (Vardhamāna, c. 599–527 BCE or
A_4_21 — Atharvaveda: Healing Hymns, Charms, and Ritualistic Knowledge
The Atharvaveda (Atharvaveda-Saṃhitā, "Knowledge of the Atharvans") is the fourth Veda of Hinduism, composed approximately between 1200 and 1000 BCE — roughly contemporaneous with the late Rig Vedic and early post-Rig Ve
A_4_28 — Nihon Shoki: Japan's Chronicle of Gods and Sovereigns
The Nihon Shoki (日本書紀, "Chronicles of Japan," also known as Nihongi) is the second-oldest extant Japanese historical text (after the Kojiki, 712 CE), completed in 720 CE under the supervision of Prince Toneri (舎人親王, 676–
A_4_33 — Inuit Cosmology & Sedna Mythology
Inuit cosmology is the spiritual and philosophical tradition of the Inuit peoples — the indigenous inhabitants of the Arctic and Subarctic regions of North America, from Alaska through Arctic Canada (Nunavut, Nunavik, Nu
A_4_01 — The Mahabharata: India's Epic of Cosmic War
The Mahabharata is the longest epic poem ever composed — at ~100,000 verses (1.8 million words), it is roughly 10 times the combined length of the Iliad and the Odyssey. Attributed to the sage Vyasa ("the compiler"), it
A_4_14 — Shan Hai Jing (Classic of Mountains and Seas)
The Shan Hai Jing (山海經, "Classic of Mountains and Seas") is one of the most extraordinary texts of the ancient Chinese literary corpus — an encyclopedic compendium of mythological geography, zoology, mineralogy, and cosm
A_3_04 — Hesiod's Theogony and Works and Days
Hesiod (~700 BCE) is, alongside Homer, one of the two foundational poets of Greek literature. His Theogony ("Birth of the Gods") presents the first systematic Greek cosmogony — from primordial Chaos through the births of
A_3_12 — Epic of Sundiata: Mandinka Foundation Myth and West African Oral Epic
The Epic of Sundiata (Sunjata, Soundjata, Son-Jara) is the foundational oral epic of the Mandinka (Manding) peoples of West Africa, narrating the life of Sundiata Keita (c. 1217–1255 CE), the historical founder of the Ma
U_1_05 — Musical Instruments: Archaeology & Evolution
Musical instruments are among humanity's oldest manufactured artifacts, with bone flutes from the Swabian Jura (southern Germany) dating to ~40,000 BP — contemporary with the earliest figurative art and suggesting that m
U_1_07 — Music and Social Movements
Music and social movements have been inseparable throughout history — music serves as a vehicle for collective identity, emotional mobilization, coded communication, and cultural memory in struggles for justice, labor ri
U_1_09 — Sound Art and Experimental Music
Sound art — art that uses sound as its primary medium, often in spatial installations or environmental contexts — and experimental music — music that challenges conventional assumptions about composition, performance, in
U_1_11 — Opera: Musical Theatre, Spectacle, and National Identity
Opera — dramatic works in which the text is entirely or mostly sung to orchestral accompaniment — is one of Western civilization's most ambitious and complex art forms, integrating music, poetry, drama, visual spectacle,
U_1_20 — Electronic & Experimental Music: Synthesis, Sampling & Algorithmic Composition
Electronic and experimental music — from Pierre Schaeffer's musique concrète (1948) to contemporary algorithmic composition — represents one of the most transformative developments in the history of sound, severing the a
U_3_13 — Art Restoration and Conservation: Science Meets Aesthetics
Art restoration and conservation — the practice of preserving, stabilizing, and (sometimes controversially) restoring works of art — sits at the intersection of science, aesthetics, ethics, and cultural politics. Every a
U_3_14 — Vernacular Architecture: Indigenous, Anti-Colonial, and Resistance Design
Vernacular architecture — buildings designed and constructed by their inhabitants or local builders using traditional techniques, local materials, and accumulated environmental knowledge, without the intervention of prof
U_5_09 — Video Games as Art and Culture
Video games — interactive digital experiences combining computation, visual art, sound design, narrative, and player agency — have evolved from simple electronic experiments to arguably the dominant cultural medium of th
U_5_17 — Museum Decolonization: Repatriation, Representation, and the Politics of Display
Museum decolonization — the critical movement to address the colonial origins, structures, and power dynamics embedded in museum collections, exhibition practices, and institutional governance — has become one of the mos
BROWSE BY SECTION — 3,721 documents across 34 fields