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126 results for "music emotion" — page 2 of 7
J_4_10 — Musical Instrument Engineering — Acoustics and Ancient Craft
The engineering of musical instruments — objects designed to produce, control, and project sounds with specific pitches, timbres, and rhythms — is one of the oldest and most sophisticated human technologies, with roots e
ZC_1_15 — Sociology of Emotions
Sociology of emotions examines how emotions are socially shaped, managed, and structured — challenging the assumption that feelings are purely biological or individual. Arlie Russell Hochschild (The Managed Heart, 1983)
ZC_4_03 — Ethnomusicology — Music as Social Phenomenon
Ethnomusicology — the study of music in its cultural context, or more precisely, the study of music as culture and culture as expressed through music — emerged in the mid-20th century from the older discipline of "compar
ZD_5_08 — Computer Music: Algorithmic Composition, Digital Audio, and AI Music
Computer music encompasses the creation, analysis, processing, and performance of music using computers — spanning algorithmic composition (generating music through formal procedures and code), digital audio signal proce
Y_4_13 — Collective Effervescence and Group Altered States
Collective effervescence — Émile Durkheim's term (The Elementary Forms of Religious Life, 1912) for the heightened emotional energy generated when people gather and act together in coordinated ritual — describes a group
P_2_15 — Philosophy of Emotion: Affect, Reason, and Moral Sentiment
The philosophy of emotion asks what emotions are, how they relate to reason and knowledge, and what role they play in moral life. The Western tradition has oscillated between two poles: Stoic/Kantian rationalism, which t
N_5_05 — Illuminism in Music: Mozart, Beethoven, and Masonic Influence
The relationship between Freemasonry and 18th-century European music represents one of the most well-documented intersections of secret societies and high culture. Wolfgang Amadeus Mozart (1756-1791) was an active and co
F_3_09 — Musical Instrument Diffusion and Shared Traditions
Musical instruments represent some of the oldest artifacts of human culture and their distribution patterns across the globe illuminate deep connections — and sometimes startling independent inventions — among widely sep
U_5_23 — Music: Origins, Neuroscience, and Cross-Cultural Universals
Music is a universal human behavior — no known culture lacks it — yet its evolutionary origins, neurological basis, and cross-cultural structures remain among the most debated topics in cognitive science, anthropology, a
O_4_04 — Ringing Rocks, Musical Stones & Lithophones
Ringing rocks — stones that produce clear, bell-like tones when struck — have been documented at multiple locations worldwide, formed from rock types with specific mineralogical and structural properties that support mec
T_2_15 — Gratitude and Forgiveness: Prosocial Emotions, Health Benefits, and Psychological Resilience
Gratitude and forgiveness — two central topics in positive psychology — represent prosocial emotional responses that profoundly influence interpersonal relationships, mental health, and physical well-being. Gratitude — t
T_1_07 — Emotion Theory and Affect
Emotion theory addresses one of psychology's most fundamental and contested questions: What are emotions, where do they come from, and how many are there?
D_5_04 — Pythagorean Harmony, Sacred Sound, and the Music of the Spheres
The Pythagorean discovery that musical harmony is governed by simple mathematical ratios (octave = 2:1, fifth = 3:2, fourth = 4:3) is one of the most consequential insights in intellectual history — the first demonstrati
Y_3_06 — Awe, Wonder, and Transcendent Emotions
Awe — the emotional response to perceived vastness that requires accommodation (cognitive restructuring of existing mental schemas) — has emerged as a frontier topic in affective neuroscience, positive psychology, and ph
P_4_04 — Art as Knowledge Encoding — Visual, Musical, and Performative Epistemologies
Before writing systems emerged (~3200 BCE), and for most of human history since, art — visual, musical, performative, and material — served as a primary means of encoding, storing, and transmitting knowledge across gener
V_1_06 — Mathematics of Music: Harmonic Ratios & Tuning Systems
The relationship between mathematics and music is among the oldest in intellectual history. Pythagoras (c. 570–495 BCE) is traditionally credited with discovering that consonant musical intervals correspond to simple num
U_1_16 — Gamelan: Indonesian Bronze Orchestra Tradition
Gamelan — from the Javanese word gamel ("to hammer") — is the collective term for the bronze percussion orchestra traditions of Java, Bali, and neighboring Indonesian islands, representing one of the world's most acousti
U_1_26 — Solfeggio Frequencies
The "Solfeggio frequencies" are a set of specific musical tones — most commonly listed as 174, 285, 396, 417, 528, 639, 741, 852, and 963 Hz — claimed by proponents to possess extraordinary healing, spiritual, and transf
K_5_12 — Interoception: Body Signals and Conscious Experience
Interoception — the perception of the internal physiological state of the body — encompasses the sensing and central processing of signals from the heart (cardiac rhythm, blood pressure), lungs (breathing), gut (satiety,
T_5_08 — The Psychology of Awe and Wonder: Vastness, Self-Diminishment, and Transformative Experience
Awe — the emotion arising from encounters with vast, powerful, or complex phenomena that exceed one's current mental frameworks and demand cognitive accommodation (schema revision) — has emerged since the early 2000s as
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