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2,945 results for "Dia de los Muertos" — page 19 of 148
A_2_19 — Apocalypse of Abraham: Jewish Pseudepigraphon and Cosmological Vision
The Apocalypse of Abraham is a Jewish pseudepigraphon composed in the late 1st or early 2nd century CE, surviving exclusively in Old Slavonic (Church Slavonic) manuscripts dating from the 14th century onward. The text co
A_2_16 — Testament of Solomon: Demonology, Architecture, and Rings of Power
The Testament of Solomon (Diathēkē Solomōntos) is a pseudepigraphic text (c. 1st–5th century CE, probably 3rd century) in which King Solomon narrates how he received a magical ring from the Archangel Michael, enabling hi
A_2_20 — Odes of Solomon: Early Christian Mystical Hymns
The Odes of Solomon are a collection of 42 hymns dating to the late 1st or early 2nd century CE, composed originally in Syriac (or possibly Greek), making them the earliest surviving Christian hymnal. Rediscovered in 190
A_4_07 — Tao Te Ching and Daoist Primary Texts
The Tao Te Ching (道德經, Daodejing) — attributed to Lao Tzu (Laozi, ~6th–4th century BCE) — is the foundational text of Daoist philosophy and one of the most translated works in human history. Its 81 brief chapters articul
A_3_03 — Egyptian Book of the Dead and Funerary Literature
The Egyptian Book of the Dead (Pert em Hru — "Coming Forth by Day") is a collection of ~200 magical spells, hymns, and instructions designed to guide the deceased through the Duat (underworld) and into eternal life in th
A_3_02 — The Egyptian Pyramid Texts: Oldest Religious Literature on Earth
The Pyramid Texts are the oldest substantial body of Egyptian funerary literature ever discovered and among the oldest substantial religious corpora of any civilization — inscribed on the interior walls of Old Kingdom py
A_3_14 — West African Oral Traditions
West African oral traditions constitute one of the world's richest and most extensively documented systems of non-written knowledge transmission. The griot (or djeli in Mande languages) tradition of the Manding, Wolof, F
U_1_10 — Theatre History: From Greek Tragedy to Global Performance
Theatre — the live performance of dramatic narrative by actors before an audience — is among the oldest and most enduring human art forms, arising independently in multiple civilizations and undergoing continuous reinven
U_3_18 — Ancient Metallurgy and Material Innovation
Ancient metallurgy — the extraction, alloying, and shaping of metals from raw ores — was among the most transformative technological achievements of human civilization, enabling new tools, weapons, agricultural implement
U_3_07 — Paper and Papermaking Traditions
Paper — a matted sheet of plant fibers — is one of civilization's most transformative inventions, enabling the preservation and dissemination of knowledge at scales impossible with earlier writing surfaces. Pre-paper wri
U_3_14 — Vernacular Architecture: Indigenous, Anti-Colonial, and Resistance Design
Vernacular architecture — buildings designed and constructed by their inhabitants or local builders using traditional techniques, local materials, and accumulated environmental knowledge, without the intervention of prof
U_5_09 — Video Games as Art and Culture
Video games — interactive digital experiences combining computation, visual art, sound design, narrative, and player agency — have evolved from simple electronic experiments to arguably the dominant cultural medium of th
U_5_17 — Museum Decolonization: Repatriation, Representation, and the Politics of Display
Museum decolonization — the critical movement to address the colonial origins, structures, and power dynamics embedded in museum collections, exhibition practices, and institutional governance — has become one of the mos
U_5_13 — Documentary Film and Photography: Witness, Evidence, and Ethics
Documentary film and photography — creative works purporting to represent reality directly, serving as witness, evidence, and social commentary — occupy a uniquely charged position between art and journalism, truth and c
U_5_28 — Hierophany: Sacred Manifestation in Architecture, Landscape, and Ritual
Hierophany — a term coined by Mircea Eliade in The Sacred and the Profane (1957) — denotes any manifestation of the sacred in ordinary reality: a stone, a tree, a building, a moment of light. Unlike theophany (appearance
U_2_09 — Art Nouveau and Art Deco
Art Nouveau (~1890–1910) and Art Deco (~1920–1940) are two of the most distinctive and influential decorative art movements, representing contrasting aesthetic responses to industrialization and modernity. Art Nouveau (k
U_2_12 — Portraiture: Face, Identity, and Power in Visual Art
Portraiture — the artistic representation of a specific individual — is among the oldest and most culturally charged genres in visual art, serving functions from magical (ensuring the soul's survival — Egyptian Ka statue
U_2_08 — Digital Art and Generative Art
Digital art — visual art created with or substantially mediated by digital technology — and generative art — art produced in whole or part by autonomous systems (algorithms, rules, or AI) — represent a fundamental expans
U_2_17 — Death Masks & Funerary Portraiture
Death masks — three-dimensional representations of a deceased person's face, typically created by molding plaster, wax, or metal directly over the corpse's features — represent one of humanity's oldest artistic and ritua
U_4_16 — Culinary Arts and Culture: Food as Identity, Ritual, and Power
Food studies — the interdisciplinary analysis of food production, preparation, distribution, consumption, and meaning — has emerged as one of the most dynamic fields in the humanities and social sciences, bridging anthro
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