A_4_25 — Jain Agamas: Canonical Scriptures of Non-Violence and Asceticism

The Jain Agamas (Āgama, "tradition/scripture") are the canonical scriptures of Jainism, one of the world's oldest continuously practiced religions. The teachings are attributed to Mahāvīra (Vardhamāna, c. 599–527 BCE or

A_4_08 — Bhagavata Purana — Naga and Avatar Sections

The Bhagavata Purana (also called Srimad Bhagavatam) is one of the eighteen Mahapuranas ("Great Ancient Histories") of Hindu literature, composed in Sanskrit between approximately the 6th and 10th centuries CE. Its twelv

A_4_20 — Mandaean Ginza Rabba: Living Gnostic Scripture

The Ginza Rabba (Ginzā Rbā, "Great Treasure"), also known as the Book of Adam, is the principal holy scripture of the Mandaeans — the world's only surviving Gnostic religion, practiced today by approximately 60,000–100,0

A_4_01 — The Mahabharata: India's Epic of Cosmic War

The Mahabharata is the longest epic poem ever composed — at ~100,000 verses (1.8 million words), it is roughly 10 times the combined length of the Iliad and the Odyssey. Attributed to the sage Vyasa ("the compiler"), it

A_4_16 — Tibetan Book of the Dead (Bardo Thodol) and Bon Tradition

The Bardo Thodol (བར་དོ་ཐོས་གྲོལ, "Liberation Through Hearing in the Intermediate State"), popularly known as the Tibetan Book of the Dead, is a collection of funerary texts attributed to the 8th-century Indian master Pa

A_3_00 — Egyptian African Mediterranean: Subfolder Summary

A_3_13 — Meroitic Texts and Nubian Sacred Literature

Meroitic is the oldest written language of sub-Saharan Africa, used by the Kingdom of Kush (centered at Meroë in modern Sudan) from approximately the 3rd century BCE to the 5th century CE. Francis Llewellyn Griffith achi

A_3_17 — Punic & Carthaginian Sacred Texts

The Punic (Western Phoenician) civilization, centered on Carthage (modern-day Tunisia, founded traditionally in 814 BCE by emigrants from Tyre), was one of the great Mediterranean powers for over six centuries — yet its

U_1_12 — Hip-Hop Culture: MCing, DJing, Breaking, and Graffiti as Art Form

Hip-hop — originating in the South Bronx, New York City, in the early-to-mid-1970s — is among the most culturally consequential artistic movements of the 20th century, growing from block-party culture in economically dev

U_1_24 — Overtone & Throat Singing

Overtone singing (also called throat singing or harmonic singing) is a vocal technique in which a single singer simultaneously produces two or more distinct pitches by manipulating the resonant frequencies (formants) of

U_1_15 — Jazz: Improvisation, African Roots, and Cultural Revolution

Jazz — America's most original and influential art form — emerged in the early 20th century from the convergence of African rhythmic and improvisational traditions, African American blues and work songs, European harmony

U_1_03 — Music, Acoustics, and Consciousness in Ancient Traditions

The relationship between music, sound, and altered states of consciousness has been recognized in virtually every known culture — from Paleolithic bone flutes (~40,000 BCE, Hohle Fels, Germany) to Pythagorean harmonic th

U_1_04 — Origins of Theater & Drama — Ritual to Stage

Theater and drama emerged independently in multiple civilizations from ritual performance traditions — the formal separation of performers and audience, the creation of fictional narrative embodied by actors, and the use

U_1_00 — Music Sound Performance: Subfolder Summary

U_0_00 — Art, Music & Culture: Section Summary

U_3_00 — Material Culture Craft: Subfolder Summary

U_3_16 — East Asian Painting Traditions: Chinese, Japanese, and Korean Ink Arts

East Asian painting — encompassing the interconnected but distinct traditions of China, Japan, and Korea — constitutes one of the world's longest continuous artistic traditions, spanning over two millennia and developing

U_3_13 — Art Restoration and Conservation: Science Meets Aesthetics

Art restoration and conservation — the practice of preserving, stabilizing, and (sometimes controversially) restoring works of art — sits at the intersection of science, aesthetics, ethics, and cultural politics. Every a

U_5_12 — Art Patronage: Medici, Mughal Courts, and the Economics of Culture

Art patronage — the financial, institutional, or social support of artistic production by individuals, courts, religious bodies, states, or corporations — has been the primary economic engine of art creation for most of

U_5_14 — Indigenous Australian Art: Dot Painting, Bark Art, and Songlines

Indigenous Australian art constitutes the world's longest continuous artistic tradition — spanning at least 65,000 years from the earliest rock art and engravings to contemporary paintings that sell for six-figure sums i