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Search 3,721 documents across 34 fields — every claim tier-rated by evidence
3,633 are the core, quality-scored corpus (34 lettered sections — see How We Work); the remaining 88 are cross-corpus synthesis documents (68 InterDocs, 12 Connections, 8 Theories) also indexed here.
728 results for "graph theory" — page 12 of 37
A_2_05 — The Hermetic Tradition: Thoth, Hermes Trismegistus, and the Emerald Tablet
This document examines The Hermetic Tradition: Thoth, Hermes Trismegistus, and the Emerald Tablet, a topic within the Foundations research area. Notable findings include: Ancient Egyptian tradition describes a Book of Th
A_4_26 — Aztec Codices: Borgia Group and Mesoamerican Ritual Manuscripts
The Aztec codices — particularly the Borgia Group — are a set of pre-Columbian and early colonial-period painted manuscripts from central Mexico, produced on deerskin or bark paper (amatl) in screenfold format. The Borgi
A_4_25 — Jain Agamas: Canonical Scriptures of Non-Violence and Asceticism
The Jain Agamas (Āgama, "tradition/scripture") are the canonical scriptures of Jainism, one of the world's oldest continuously practiced religions. The teachings are attributed to Mahāvīra (Vardhamāna, c. 599–527 BCE or
A_4_23 — Bundahishn: Zoroastrian Creation and Cosmic Battle
The Bundahishn (Bundahišn, "Primal Creation") is the most important Zoroastrian cosmogonical text, composed in Middle Persian (Pahlavi) during the 9th century CE but preserving traditions that are centuries or millennia
A_4_28 — Nihon Shoki: Japan's Chronicle of Gods and Sovereigns
The Nihon Shoki (日本書紀, "Chronicles of Japan," also known as Nihongi) is the second-oldest extant Japanese historical text (after the Kojiki, 712 CE), completed in 720 CE under the supervision of Prince Toneri (舎人親王, 676–
A_4_22 — Puranas: Hindu Cosmological Encyclopedia
The Puranas (Purāṇa, "ancient, old") are a vast corpus of Hindu sacred literature comprising 18 Mahāpurāṇas ("Great Puranas") and 18 Upapurāṇas ("Secondary Puranas"), totaling hundreds of thousands of verses (the Skanda
A_4_27 — Korean Samguk Yusa: Myths, Miracles, and the Foundations of Korean Identity
The Samguk Yusa (삼국유사, "Memorabilia of the Three Kingdoms") is a collection of legends, folktales, Buddhist miracle stories, and historical accounts relating to the Three Kingdoms of Korea (Goguryeo, Baekje, and Silla) a
A_4_14 — Shan Hai Jing (Classic of Mountains and Seas)
The Shan Hai Jing (山海經, "Classic of Mountains and Seas") is one of the most extraordinary texts of the ancient Chinese literary corpus — an encyclopedic compendium of mythological geography, zoology, mineralogy, and cosm
A_4_29 — Mongolian & Turkic Epic Traditions
The Mongolian and Turkic epic traditions constitute one of the world's great oral literary heritages, spanning from the Altai Mountains to Anatolia across more than two millennia. Central texts include the Secret History
A_3_09 — Ethiopian Sacred Texts Beyond the Kebra Nagast
The Ethiopian Orthodox Tewahedo Church preserves the most expansive biblical canon in Christendom — 81 books, compared to 66 in the Protestant canon and 73 in the Roman Catholic canon — including texts considered apocryp
U_1_13 — Musical Notation: From Neumes to MIDI and Digital Scores
Musical notation — the technology of transcribing sound into visible marks — is one of humanity's most consequential inventions, enabling music to be preserved, transmitted, standardized, and composed in ways impossible
U_1_14 — World Dance Traditions: Ballet, Bharatanatyam, Flamenco, and Hula
Dance — the oldest art form, predating language, visual art, and music in some theoretical models — is the organization of human movement in time and space for expressive, ritual, social, or aesthetic purposes. Every kno
U_3_16 — East Asian Painting Traditions: Chinese, Japanese, and Korean Ink Arts
East Asian painting — encompassing the interconnected but distinct traditions of China, Japan, and Korea — constitutes one of the world's longest continuous artistic traditions, spanning over two millennia and developing
U_3_11 — Board Games and Games of Strategy
Board games — structured games played on a marked surface (board) with pieces, dice, cards, or tokens according to defined rules — are among the oldest and most culturally revealing human artifacts. Ancient games: the Ro
U_3_07 — Paper and Papermaking Traditions
Paper — a matted sheet of plant fibers — is one of civilization's most transformative inventions, enabling the preservation and dissemination of knowledge at scales impossible with earlier writing surfaces. Pre-paper wri
U_3_13 — Art Restoration and Conservation: Science Meets Aesthetics
Art restoration and conservation — the practice of preserving, stabilizing, and (sometimes controversially) restoring works of art — sits at the intersection of science, aesthetics, ethics, and cultural politics. Every a
U_3_10 — Printmaking and the History of the Book
Printmaking — the creation of images or text by transferring ink from a prepared surface to paper or other substrate — and the history of the book are intertwined stories of how humans multiplied information. Relief prin
U_5_28 — Hierophany: Sacred Manifestation in Architecture, Landscape, and Ritual
Hierophany — a term coined by Mircea Eliade in The Sacred and the Profane (1957) — denotes any manifestation of the sacred in ordinary reality: a stone, a tree, a building, a moment of light. Unlike theophany (appearance
U_2_06 — Cinema and Film History
Cinema — the art and technology of moving images — emerged from late 19th-century developments in photography and persistence of vision. Pioneer technologies: Eadweard Muybridge's sequential photographs of a galloping ho
U_2_12 — Portraiture: Face, Identity, and Power in Visual Art
Portraiture — the artistic representation of a specific individual — is among the oldest and most culturally charged genres in visual art, serving functions from magical (ensuring the soul's survival — Egyptian Ka statue
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