RESEARCH BASE
Search 3,721 documents across 34 fields — every claim tier-rated by evidence
3,633 are the core, quality-scored corpus (34 lettered sections — see How We Work); the remaining 88 are cross-corpus synthesis documents (68 InterDocs, 12 Connections, 8 Theories) also indexed here.
3,692 results for "G protein" — page 108 of 185
A_4_39 — Egyptian Book of the Dead: Funerary Texts, Afterlife Geography, and Judgment of the Soul
The "Book of the Dead" (Pert em Heru, "Coming/Going Forth by Day") is a corpus of ancient Egyptian funerary texts — spells, hymns, incantations, and illustrated vignettes — designed to guide the deceased through the Duat
A_4_08 — Bhagavata Purana — Naga and Avatar Sections
The Bhagavata Purana (also called Srimad Bhagavatam) is one of the eighteen Mahapuranas ("Great Ancient Histories") of Hindu literature, composed in Sanskrit between approximately the 6th and 10th centuries CE. Its twelv
A_3_04 — Hesiod's Theogony and Works and Days
Hesiod (~700 BCE) is, alongside Homer, one of the two foundational poets of Greek literature. His Theogony ("Birth of the Gods") presents the first systematic Greek cosmogony — from primordial Chaos through the births of
A_3_01 — Kebra Nagast: The Glory of Kings (Ethiopian)
The Kebra Nagast ("Glory of Kings") is a 14th-century CE Ethiopian text — written in Ge'ez, the classical Ethiopian liturgical language — that serves as the foundation myth of the Solomonic dynasty of Ethiopia and the sp
U_1_12 — Hip-Hop Culture: MCing, DJing, Breaking, and Graffiti as Art Form
Hip-hop — originating in the South Bronx, New York City, in the early-to-mid-1970s — is among the most culturally consequential artistic movements of the 20th century, growing from block-party culture in economically dev
U_1_04 — Origins of Theater & Drama — Ritual to Stage
Theater and drama emerged independently in multiple civilizations from ritual performance traditions — the formal separation of performers and audience, the creation of fictional narrative embodied by actors, and the use
U_3_08 — Glassmaking and Stained Glass
Glass — an amorphous solid formed by rapidly cooling molten silica (SiO₂) with fluxes (soda/potash to lower melting temperature) and stabilizers (lime to prevent water solubility) — has been manufactured for ~5,000 years
U_3_06 — Woodworking and Carpentry Traditions
Woodworking — the shaping of wood for functional and aesthetic purposes — is among the oldest human technologies, predating metalworking by millennia. Archaeological evidence: the Schöningen spears (Germany, ~300,000 yea
U_5_11 — Censorship in Art: Suppression of Creative Expression Through History
Censorship of art — the suppression, alteration, or prohibition of creative works by political, religious, or social authorities — is as old as civilization itself and has taken forms from the destruction of physical obj
U_5_25 — Throat Singing: Overtone Vocal Traditions and Acoustic Mastery
Throat singing (overtone singing) is a vocal technique in which a single performer simultaneously produces two or more distinct pitches — a sustained fundamental drone and one or more reinforced harmonics perceived as a
U_5_20 — Sacred Geography: Landscape, Pilgrimage, and Ritual Space
Sacred geography is the study of how human cultures invest physical landscapes with spiritual, cosmological, and mythological significance — transforming terrain into hierophanic space where the divine intersects the mat
U_5_04 — Comics, Graphic Novels, and Sequential Art
Sequential art — narrative through sequences of images, often combined with text — is one of humanity's oldest communication forms. Precursors: Egyptian tomb paintings with sequential narrative panels; Trajan's Column (R
U_5_21 — Upper Paleolithic Art: Cave Painting, Portable Art, and Symbolic Cognition
Upper Paleolithic art — spanning approximately 45,000 to 10,000 years ago — represents the earliest unambiguous evidence of complex symbolic cognition in Homo sapiens. The corpus includes parietal (cave wall) art at over
U_5_27 — Mnemonic Systems Across Cultures: Memory as Engineered Technology
Mnemonic systems are deliberately engineered cultural technologies for storing, retrieving, and transmitting knowledge across generations without writing. The peer-reviewed cognitive psychology literature confirms that t
U_5_22 — Cultural Heritage: Preservation, Repatriation, and Living Traditions
Cultural heritage encompasses the tangible and intangible expressions of human civilization — monuments, artifacts, languages, rituals, oral traditions, traditional knowledge systems — that communities identify as inheri
U_5_26 — Sacred Drumming, Rhythm & Percussion Traditions
Drumming is arguably the oldest and most universal musical practice, with archaeological evidence stretching to the Neolithic period and ethnographic documentation across every inhabited continent. From Siberian shamanic
U_5_31 — Chauvet Cave: Paleolithic Art and the Origins of Human Visual Expression
The Chauvet-Pont-d'Arc Cave (Grotte Chauvet), discovered on December 18, 1994, by speleologists Jean-Marie Chauvet, Éliette Brunel, and Christian Hillaire in the Ardèche gorge of southern France, contains some of the old
U_5_23 — Music: Origins, Neuroscience, and Cross-Cultural Universals
Music is a universal human behavior — no known culture lacks it — yet its evolutionary origins, neurological basis, and cross-cultural structures remain among the most debated topics in cognitive science, anthropology, a
U_5_03 — Graffiti & Subversive Art: Pompeii to Street Art
Graffiti — unsanctioned inscriptions on public surfaces — is among humanity's oldest and most persistent forms of expression, from the 11,000+ inscriptions preserved at Pompeii (79 CE volcanic burial) to modern street ar
U_5_08 — Cultural Heritage Preservation
Cultural heritage preservation — the protection, conservation, documentation, and transmission of tangible and intangible cultural expressions across generations — is a global enterprise involving international law, muse
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