RESEARCH BASE
Search 3,721 documents across 34 fields — every claim tier-rated by evidence
3,633 are the core, quality-scored corpus (34 lettered sections — see How We Work); the remaining 88 are cross-corpus synthesis documents (68 InterDocs, 12 Connections, 8 Theories) also indexed here.
3,041 results for "Caliban and the Witch" — page 106 of 153
A_4_19 — Maya Codices: Dresden, Madrid, and Paris Manuscripts
The Maya codices are the only surviving pre-Columbian books from the Maya civilization — folding-screen manuscripts made of bark paper (huun) covered in lime plaster and painted with hieroglyphic texts and illustrations
A_4_13 — Ramayana — India's Epic of Dharma, Exile, and Return
The Ramayana (रामायण, "Rama's Journey") is one of the two great Sanskrit epics of India, attributed to the poet Valmiki and composed in its earliest form during the 5th–4th century BCE, with later expansions through the
A_4_06 — Quranic Cosmology, Jinn, and Islamic Angelology
The Quran — Islam's primary sacred text (610–632 CE) — presents a rich cosmological framework that includes seven heavens and seven earths, a Throne of God (al-Arsh) upon the cosmic waters, a fully populated invisible re
A_4_21 — Atharvaveda: Healing Hymns, Charms, and Ritualistic Knowledge
The Atharvaveda (Atharvaveda-Saṃhitā, "Knowledge of the Atharvans") is the fourth Veda of Hinduism, composed approximately between 1200 and 1000 BCE — roughly contemporaneous with the late Rig Vedic and early post-Rig Ve
A_4_23 — Bundahishn: Zoroastrian Creation and Cosmic Battle
The Bundahishn (Bundahišn, "Primal Creation") is the most important Zoroastrian cosmogonical text, composed in Middle Persian (Pahlavi) during the 9th century CE but preserving traditions that are centuries or millennia
A_4_28 — Nihon Shoki: Japan's Chronicle of Gods and Sovereigns
The Nihon Shoki (日本書紀, "Chronicles of Japan," also known as Nihongi) is the second-oldest extant Japanese historical text (after the Kojiki, 712 CE), completed in 720 CE under the supervision of Prince Toneri (舎人親王, 676–
A_4_10 — I Ching (Yijing) — The Classic of Changes
The I Ching (易經, Yìjīng, "Classic of Changes") is one of the oldest continuously used texts in human history, originating from Shang dynasty oracle bone divination (~1200 BCE) and formalized during the Western Zhou perio
A_4_07 — Tao Te Ching and Daoist Primary Texts
The Tao Te Ching (道德經, Daodejing) — attributed to Lao Tzu (Laozi, ~6th–4th century BCE) — is the foundational text of Daoist philosophy and one of the most translated works in human history. Its 81 brief chapters articul
A_4_09 — Avestan Texts — Gathas, Vendidad, and Yasna
The Avesta is the primary scripture of Zoroastrianism, the religion founded by the prophet Zarathushtra (Greek: Zoroaster) in ancient Iran. The surviving Avesta — a fraction of a much larger corpus reportedly destroyed d
A_3_07 — Kalevala and Finnish-Baltic Mythology
The Kalevala is the Finnish national epic, compiled from oral folk poetry (runo songs) by physician-scholar Elias Lönnrot and first published in 1835 (32 poems) with an expanded edition of 50 poems in 1849. Lönnrot trave
A_3_15 — Middle Kingdom Egyptian Literature: Wisdom Texts, Prophecies, and Poetry
The Middle Kingdom of Egypt (c. 2055–1650 BCE, Dynasties XI–XIII) is recognized as the classical age of Egyptian literature, producing texts that served as literary models for over a millennium. Major genres include wisd
A_3_13 — Meroitic Texts and Nubian Sacred Literature
Meroitic is the oldest written language of sub-Saharan Africa, used by the Kingdom of Kush (centered at Meroë in modern Sudan) from approximately the 3rd century BCE to the 5th century CE. Francis Llewellyn Griffith achi
U_1_13 — Musical Notation: From Neumes to MIDI and Digital Scores
Musical notation — the technology of transcribing sound into visible marks — is one of humanity's most consequential inventions, enabling music to be preserved, transmitted, standardized, and composed in ways impossible
U_1_09 — Sound Art and Experimental Music
Sound art — art that uses sound as its primary medium, often in spatial installations or environmental contexts — and experimental music — music that challenges conventional assumptions about composition, performance, in
U_1_08 — Carnival, Festival, and Celebration
Carnival, festivals, and celebrations — periodic communal events characterized by heightened sensory experience, relaxation or inversion of social norms, shared feasting, music, costume, and collective joy — are universa
U_1_06 — Folk Music and Ethnomusicology
Folk music broadly refers to traditional music transmitted orally within communities, typically without known individual composers, evolving through collective performance practice. Ethnomusicology is the academic study
U_1_14 — World Dance Traditions: Ballet, Bharatanatyam, Flamenco, and Hula
Dance — the oldest art form, predating language, visual art, and music in some theoretical models — is the organization of human movement in time and space for expressive, ritual, social, or aesthetic purposes. Every kno
U_3_09 — Metalwork and Blacksmithing Traditions
Metalworking — the shaping of metals by heating, hammering, casting, and alloying — is one of humanity's most transformative technological achievements and a major domain of artistic expression. Origins: native copper wa
U_3_17 — Culinary Arts and Food Culture: Cuisine as Cultural Expression
Food culture — the practices, beliefs, rituals, and technologies surrounding food production, preparation, and consumption — is one of the most fundamental expressions of human identity, connecting ecology, agriculture,
U_3_16 — East Asian Painting Traditions: Chinese, Japanese, and Korean Ink Arts
East Asian painting — encompassing the interconnected but distinct traditions of China, Japan, and Korea — constitutes one of the world's longest continuous artistic traditions, spanning over two millennia and developing
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