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49 results for "identity" — page 1 of 3
U_2_12 — Portraiture: Face, Identity, and Power in Visual Art
Portraiture — the artistic representation of a specific individual — is among the oldest and most culturally charged genres in visual art, serving functions from magical (ensuring the soul's survival — Egyptian Ka statue
U_4_16 — Culinary Arts and Culture: Food as Identity, Ritual, and Power
Food studies — the interdisciplinary analysis of food production, preparation, distribution, consumption, and meaning — has emerged as one of the most dynamic fields in the humanities and social sciences, bridging anthro
ZG_4_13 — Language and Identity: National Languages, Minority Rights, and Linguistic Nationalism
Language and identity — the relationship between the language(s) a person speaks and their sense of self, group membership, and social belonging — is one of the most politically charged and emotionally resonant dimension
ZC_4_17 — Food Anthropology: Culture, Identity, and Power at the Table
Food anthropology examines how the production, preparation, distribution, and consumption of food encode cultural meaning, reinforce social hierarchies, and express identity. Claude Lévi-Strauss proposed the "culinary tr
T_4_07 — Social Identity Theory and Prejudice
Social Identity Theory (SIT) explains how individuals derive self-concept from group memberships and how this drives intergroup behavior — including prejudice, discrimination, and conflict. Developed by Henri Tajfel and
T_5_09 — Narrative Psychology: Story, Identity, and the Storied Self
Narrative psychology — the study of how humans make sense of their lives, construct identity, and organize experience through storytelling — emerged as a distinct field in the 1980s–1990s through the work of Jerome Brune
S_5_14 — Digital Identity: Biometrics, Self-Sovereign Identity, and Authentication
Digital identity — the set of attributes, credentials, and identifiers that represent a person in digital systems — is fundamental to online commerce, government services, healthcare, travel, and social interaction. An e
A_4_27 — Korean Samguk Yusa: Myths, Miracles, and the Foundations of Korean Identity
The Samguk Yusa (삼국유사, "Memorabilia of the Three Kingdoms") is a collection of legends, folktales, Buddhist miracle stories, and historical accounts relating to the Three Kingdoms of Korea (Goguryeo, Baekje, and Silla) a
U_5_24 — Totemism: Animal Ancestors, Sacred Kinship, and Species Identity
Totemism is a system of belief and social organization in which human groups maintain spiritual, ancestral, or kinship relationships with natural species, objects, or phenomena (the "totem"). First documented systematica
C_5_16 — Animal Totemism: Species as Identity, Ancestor, and Guide
Totemism — the system of belief and practice in which a social group (clan, moiety, or individual) maintains a special spiritual, ancestral, or symbolic relationship with a natural species or phenomenon — has been one of
ZC_1_06 — Social Identity & Group Dynamics — Tajfel, Sherif
Social identity theory and its predecessor, realistic conflict theory, provide the dominant scientific frameworks for understanding how humans form group identities and how intergroup conflict arises.
T_5_17 — Cultural Memory: Collective Remembrance, Tradition, and Identity
Cultural memory — the shared body of knowledge, narratives, images, and rituals through which a society constructs and maintains its sense of identity across generations — emerged as a distinct academic field in the late
P_1_06 — Personal Identity and Continuity
Personal identity — the question of what makes you you over time, and under what conditions you would cease to exist — is one of philosophy's most ancient and practically urgent problems. The core puzzle is persistence:
U_3_19 — Ancient Tattooing Traditions
Tattooing is one of the oldest and most universal forms of human body modification, with archaeological evidence spanning at least 5,300 years and ethnographic documentation across every populated continent. The oldest k
K_5_10 — Theories of Self: No-Self, Minimal Self, Narrative Self
The self — the sense of being a unified, continuous subject of experience — is one of the most fundamental yet puzzling features of consciousness. Who or what is the "I" that sees, thinks, remembers, and acts? Theories o
ZC_3_05 — Sociology of Sport
Sociology of sport examines how sport reflects, reinforces, and occasionally challenges broader social structures of class, race, gender, and national identity. Norbert Elias and Eric Dunning (Quest for Excitement, 1986)
U_1_11 — Opera: Musical Theatre, Spectacle, and National Identity
Opera — dramatic works in which the text is entirely or mostly sung to orchestral accompaniment — is one of Western civilization's most ambitious and complex art forms, integrating music, poetry, drama, visual spectacle,
U_3_01 — Tattoo & Body Modification Traditions
Tattooing and body modification are among the most ancient and widespread human cultural practices, with archaeological evidence stretching back at least 5,300 years and likely much further.
U_3_05 — Fashion and Costume History
Fashion — from Latin factio (making, doing) — encompasses clothing, accessories, and bodily presentation as systems of social communication, aesthetic expression, and cultural identity. Archaeological evidence: the oldes
U_5_15 — Public Monuments and Memorials: Memory, Power, and Iconoclasm
Public monuments and memorials are among the most politically charged forms of art — objects placed in shared civic space to shape collective memory, assert values, and project power. From the ancient world's triumphal a
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