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14 results for "entoptic"
U_2_22 — Shamanic & Entoptic Art
The neuropsychological model of shamanic art proposes that much of humanity's oldest visual art — from Upper Paleolithic cave paintings in Europe to San Bushman rock art in southern Africa to Aboriginal art in Australia
K_5_21 — Entoptic Phenomena: Neural Basis of Universal Visual Patterns
Entoptic phenomena are visual experiences generated within the eye or visual nervous system rather than by external stimuli. They include phosphenes (light flashes from pressure on the eye or electrical stimulation), for
Y_4_04 — Entoptic Phenomena and Phosphene Patterns
This document examines Entoptic Phenomena and Phosphene Patterns, a topic within the Consciousness research area. Key areas of investigation include Defining Entoptic Phenomena, Phosphenes: Light from Within, Heinrich Kl
U_2_02 — Cave Art — Lascaux, Chauvet & World's Oldest Paintings
Cave art constitutes the oldest known evidence of symbolic visual expression by Homo sapiens (and possibly Neanderthals), with the earliest confirmed figurative painting — a Sulawesi warty pig — dated to at least 45,500
U_2_21 — Abstract Art & Consciousness
Abstract art — visual art that does not attempt to represent external reality but instead explores relationships of form, color, line, and composition independently — emerged in the early 20th century in direct connectio
W_3_07 — San (Bushmen) Rock Art, Trance Dance, and the Oldest Living Culture
The San (Bushmen) of southern Africa represent what may be the oldest continuously surviving cultural tradition on Earth, with genetic evidence placing them at the base of the modern human family tree (mitochondrial DNA
J_1_07 — Sacred Caves as Ritual Technology
This document examines Sacred Caves as Ritual Technology, a topic within the Ancient Technology research area. Key areas of investigation include Deep Time — The Archaeological Record, Chauvet Cave — Sophisticated from t
D_5_02 — Labyrinth Tradition
The labyrinth appears across virtually every major civilization — from the Egyptian Labyrinth at Hawara (described by Herodotus as surpassing the pyramids) to Knossos, Chartres Cathedral, and Hopi Tápu'at designs. The cl
D_3_02 — Paracas Trident, Candelabra, and Cross-Cultural Trident Symbolism
The Paracas Candelabra (also called "Candelabro de Paracas" or "the Trident") is a massive geoglyph carved into the sandy hillside of the Paracas Peninsula on Peru's southern coast, overlooking Pisco Bay. Measuring ~180
Y_4_06 — Synesthesia and Cross-Modal Perception
Synesthesia — the involuntary, consistent experience of one sensory modality triggering perception in another (e.g., hearing colors, tasting shapes) — affects roughly 4% of the general population when broad subtype defin
Y_4_03 — Shamanic Practices / Altered States Synthesis
Shamanic practices represent humanity's oldest spiritual technology, attested across every inhabited continent from at least 30,000 BCE (Upper Paleolithic cave art) to the present day. Despite vast cultural distances — g
Y_3_13 — Visionary Art: Depicting Altered States from Hildegard to Grey
Visionary art — artistic creation inspired by, depicting, or emerging from altered states of consciousness — spans the entire history of human image-making, from Paleolithic cave paintings (whose geometric patterns David
R_2_06 — Isbell Snake Detection Hypothesis
This document examines Isbell Snake Detection Hypothesis, a topic within the Biology Evolution research area. Key areas of investigation include Origin and Author, The Core Thesis, The Expanded Pulvinar. The analysis spa
F_3_13 — Cave Art Networks — Ice Age Information Highways
Ice Age cave art — the painted, engraved, and sculpted images found in deep caves across Europe, Southeast Asia, and elsewhere, dating from the Upper Paleolithic (~45,000–10,000 BP) — is the oldest known evidence of comp
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