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2,044 results for "duty to give" — page 1 of 103
ZE_5_13 — Ethics of Charity and Philanthropy: Effective Altruism and Duty to Give
The ethics of charity and philanthropy interrogates the moral obligations of the wealthy toward the poor, the effectiveness and legitimacy of charitable giving as a response to poverty, and the emerging movement of effec
P_2_11 — Deontological Ethics: Duty, Rights, and the Categorical Imperative
Deontological ethics (from Greek deon, "duty" or "obligation") is the family of moral theories holding that the rightness or wrongness of an action depends on the action's conformity to moral rules, duties, or rights — n
T_2_15 — Gratitude and Forgiveness: Prosocial Emotions, Health Benefits, and Psychological Resilience
Gratitude and forgiveness — two central topics in positive psychology — represent prosocial emotional responses that profoundly influence interpersonal relationships, mental health, and physical well-being. Gratitude — t
ZE_4_14 — Ethics of Forgiveness: Justice, Mercy, and Transitional Reconciliation
Forgiveness — the decision to release resentment and the desire for retribution toward a wrongdoer — stands at the complex intersection of ethics, psychology, theology, and political theory. Philosophical analysis of for
ZE_1_06 — Deontological Ethics and Kant
Deontological ethics (from Greek deon, "duty") holds that the morality of an action depends on whether it conforms to a rule or duty, not on its consequences. The most influential deontologist is Immanuel Kant (1724–1804
ZC_3_20 — Universal Basic Income
Universal Basic Income (UBI) — a periodic cash payment delivered unconditionally to all members of a political community, without means-testing or work requirements — has moved from the fringes of economic debate to main
M_5_03 — Piri Reis Map and Cartographic Anomalies
The Piri Reis map is a fragment of a world map drawn on gazelle parchment by the Ottoman admiral and cartographer Piri Reis (Ahmed Muhiddin Piri) in 1513 CE, rediscovered in the Topkapi Palace library, Istanbul, in 1929.
M_3_12 — Stone Softening Claims: Mythological and Chemical Analysis
Among the most intriguing and elusive claims in alternative archaeology is the idea that ancient Andean peoples possessed a botanical or chemical method of "softening" stone — reducing hard stone (particularly the andesi
M_3_05 — Serapeum of Saqqara Precision Stone Boxes
The Serapeum of Saqqara is an underground burial complex near Memphis, Egypt, where the sacred Apis bulls of the god Ptah-Sokar-Osiris were interred from at least the New Kingdom (c. 1400 BCE) through the Ptolemaic perio
M_3_09 — Precision Granite Machining Debate: Petrie to Dunn
The debate over precision granite machining in ancient Egypt has persisted for over 130 years, originating with Sir William Matthew Flinders Petrie (1853-1942), the father of modern Egyptology, who meticulously documente
A_1_20 — Elamite and Proto-Elamite Script: Iran's Undeciphered Writing Systems
The Elamite civilization of southwestern Iran — centered on the cities of Susa and Anshan — was one of the earliest complex societies of the ancient Near East, rivaling Sumer and Akkad yet remaining far less understood d
A_1_22 — Proto-Writing Development and Precursors to Cuneiform
The transition from pre-literate record-keeping to cuneiform script spanned approximately 5,000 years, from small geometric clay tokens used for commodity tracking in the Neolithic (c. 8000 BCE) through the emergence of
U_1_24 — Overtone & Throat Singing
Overtone singing (also called throat singing or harmonic singing) is a vocal technique in which a single singer simultaneously produces two or more distinct pitches by manipulating the resonant frequencies (formants) of
U_3_19 — Ancient Tattooing Traditions
Tattooing is one of the oldest and most universal forms of human body modification, with archaeological evidence spanning at least 5,300 years and ethnographic documentation across every populated continent. The oldest k
U_3_13 — Art Restoration and Conservation: Science Meets Aesthetics
Art restoration and conservation — the practice of preserving, stabilizing, and (sometimes controversially) restoring works of art — sits at the intersection of science, aesthetics, ethics, and cultural politics. Every a
U_3_05 — Fashion and Costume History
Fashion — from Latin factio (making, doing) — encompasses clothing, accessories, and bodily presentation as systems of social communication, aesthetic expression, and cultural identity. Archaeological evidence: the oldes
U_3_10 — Printmaking and the History of the Book
Printmaking — the creation of images or text by transferring ink from a prepared surface to paper or other substrate — and the history of the book are intertwined stories of how humans multiplied information. Relief prin
U_5_13 — Documentary Film and Photography: Witness, Evidence, and Ethics
Documentary film and photography — creative works purporting to represent reality directly, serving as witness, evidence, and social commentary — occupy a uniquely charged position between art and journalism, truth and c
U_5_19 — Iconoclasm History
Iconoclasm — from Greek eikon (image) and klasma (that which is broken) — is the deliberate destruction of images, statues, monuments, or other visual representations, typically motivated by religious, political, or ideo
U_2_22 — Shamanic & Entoptic Art
The neuropsychological model of shamanic art proposes that much of humanity's oldest visual art — from Upper Paleolithic cave paintings in Europe to San Bushman rock art in southern Africa to Aboriginal art in Australia
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