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6 results for "Chavín"

W_4_03 — Andean Civilizations — Chavín, Nazca, Tiwanaku, Caral

The Andean region produced one of the world's great independent civilizations — arguably the most underappreciated. From Caral (~3000 BCE, contemporary with Egyptian pyramids and Sumerian Ur) to the Inca (conquered by Sp

Andean civilization Chavín de Huántar Chavín Lanzón jaguar deity Nazca Lines

ZH_3_12 Credible Archaeoastronomy

ZH_3_12 — South American Archaeoastronomy Beyond the Inca

While the Inca astronomical tradition (the ceque system, the Intihuatana, and the dark-cloud constellations of the Milky Way) is the most thoroughly studied in South America, numerous pre-Inca and non-Inca civilizations

South American astronomy Nazca Chimú Muisca Tiwanaku Chavín

J_1_06 Ancient Technology

J_1_06 — 110 Hz Resonance and Acoustic Altered States

This document examines 110 Hz Resonance and Acoustic Altered States, a topic within the Ancient Technology research area. Key areas of investigation include The Hal Saflieni Hypogeum, The Oracle Chamber, Acoustic Measure

110 Hz Hal Saflieni Hypogeum Malta Oracle Chamber Ian Cook UCLA

J_1_07 Ancient Technology

J_1_07 — Sacred Caves as Ritual Technology

This document examines Sacred Caves as Ritual Technology, a topic within the Ancient Technology research area. Key areas of investigation include Deep Time — The Archaeological Record, Chauvet Cave — Sophisticated from t

sacred cave ritual technology consciousness alteration Chauvet Lascaux Altamira

D_5_27 Credible Sites & Artifacts

D_5_27 — Electromagnetic and Acoustic Properties of Sacred Sites

A growing body of measurement work shows that several Neolithic and Bronze Age ceremonial sites — Newgrange (Ireland, ~3200 BCE), the Hypogeum of Ħal Saflieni (Malta, ~3300–3000 BCE), Chavín de Huántar (Peru, ~1200–500 B

sacred site electromagnetic anomaly acoustic resonance Newgrange Hypogeum of Hal Saflieni Chavín de Huántar

D_5_20 Verified Sites & Artifacts

D_5_20 — Cave Acoustics, Paleolithic Sound Art, and Ritual Soundscapes

The placement of Paleolithic cave art is not random — it correlates systematically with the acoustic properties of the caves. This was first demonstrated by Iegor Reznikoff (Université de Paris X) and Michel Dauvois (Cen

cave acoustics archaeoacoustics paleolithic art Lascaux Chauvet Altamira

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